A Human Requiem

Johannes Brahms was in his early thirties when his mother died in February 1865. A large choral work he had been circling for years came together in the eighteen months that followed. Robert Schumann, his mentor and champion, had died nine years earlier, and many people hear him in this music too.

A requiem is traditionally a Latin mass for the dead that asks God for mercy on their souls. Brahms didn’t write one of those. He went to Martin Luther’s German Bible and chose the texts himself, from the Psalms, the prophets, the Gospels, the letters of the apostles, and the Apocrypha. There is no Day of Judgment in it and no prayer for the departed. He told Karl Reinthaler, who conducted the premiere, that he would gladly drop the word “German” from the title and call it a human requiem instead.

This is music for the people still here. It opens with “Blessed are they that mourn, for they shall be comforted” and closes with “Blessed are the dead.” In between, Brahms moves from grief to patience, from fear of how short a life is to something close to peace.

The fifth movement came last. Brahms added it after the 1868 premiere at Bremen Cathedral, and the complete work was first heard in Leipzig in 1869. A soprano sings, “You now have sorrow, but I will see you again,” and the chorus answers with the line that ties the piece to his mother: “I will comfort you, as one whom his mother comforts.” Today that chorus is sung by the singers of Kinnara.

We chose this piece for All Saints’ Day, when the church remembers the people it has lost. Kinnara last sang it in 2014 in New Jersey, also alongside friends. Coming back to it in our twentieth year, with the Glenn Memorial Chancel Choir that shares so many of our singers, means a great deal to us.

If someone is on your mind today, we hope this music gives you room to sit with them.